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Captain Blistermint Turn A Funky Strut Into A Bittersweet Goodbye On Spider Web

Will Lisil 1 July 2026
Captain Blistermint Turn A Funky Strut Into A Bittersweet Goodbye On Spider Web

Captain Blistermint Turn A Funky Strut Into A Bittersweet Goodbye On Spider Web

Auckland Alt Rock Pop That Pairs Upbeat Hooks With A Bittersweet Goodbye

Captain Blistermint built Spider Web on a funky, upbeat strut. Then they handed that groove a lyric about losing the friends you grow up with. The Auckland band released the single on 9 June 2025, the follow-up from a forthcoming EP. It still pulls in new listeners who like their guitar pop bright and their feelings honest. What lands first is the contrast: a hook you can dance to, wrapped around a story most people know by heart.

The playlist below carries Captain Blistermint, and the band’s artist profile collects the rest of their singles. Spider Web is certified by PopHits.Co Music Charts, a scheme that verifies independent artists and places their releases across its network of music news titles. Hit play for the strut, and keep reading for what the lyric is doing.


Captain Blistermint Turn A Funky Strut Into A Bittersweet Goodbye On Spider Web
Captain Blistermint Turn A Funky Strut Into A Bittersweet Goodbye On Spider Web

Captain Blistermint Wrap Spider Web In Bright Guitars And A Funky Strut

The sound sits squarely in Alt Rock Pop. It carries the melodic reach of alternative rock and the bounce of classic indie. Captain Blistermint lean on a funky rhythmic swagger, a loose-limbed groove that made the Rolling Stones‘ Brown Sugar feel like a party. The words underneath that song were sharp, and the same trick works here. Over the top, the guitars ring out with a power pop shine. It owes plenty to the 60s British pop the band openly references, right down to an aesthetic they liken to a 60s British bubblegum advert.

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The nod to The Killers earns its place through scale. Brandon Flowers’ band turned wide-open choruses into arena singalongs. Captain Blistermint aim for that same lift on a scrappier budget, stacking soaring melodies over a tight rhythm section. As a result, the sound stays melodic without going soft. It also gives Spider Web an immediate, radio-ready pull. This is a band that cares about the craft of a chorus, and the single wears that care lightly.

The Bittersweet Lyric Beneath Spider Web’s Upbeat Alt Rock Strut

Under the brightness, Spider Web works through a harder subject. The people we grow close to as teenagers are not always the ones we carry into adulthood. It is a quiet kind of heartbreak, the sort that arrives without an argument. Still, Captain Blistermint treat it with more warmth than bitterness. The song reaches for a positive note in the difficult act of letting go. It lands somewhere between a shrug and a wave goodbye.

That push and pull is the band’s sharpest trick here. An upbeat arrangement wraps around a reflective lyric, so the energy never asks you to wallow. Yet the words give the hook a weight that a straight party song would miss. Anyone who has drifted from a childhood friend will know the feeling. That recognition explains why the track has held its audience so long. It marks a small, universal turning point that rarely earns a single of its own, and handing it a chorus this bright is a bold, generous call.

Captain Blistermint Turn A Funky Strut Into A Bittersweet Goodbye On Spider Web
Captain Blistermint Turn A Funky Strut Into A Bittersweet Goodbye On Spider Web

Where Captain Blistermint Land Spider Web In New Zealand’s Melodic Indie Scene

Captain Blistermint have been chipping away at the New Zealand indie and alternative rock scene for a while. Their catalogue leans on soaring melodies and a unified sound rather than one-off singles. Spider Web fits that pattern, and it has already drawn attention beyond the local circuit. The single earned early features from It’s All Indie and Lost in the Manor. It also picked up further coverage from Beach House Mag.

For readers, the reference points are clear. Think of fans who keep The Killers and the funkier end of the Rolling Stones catalogue in one playlist. They still make room for the jangle of classic power pop. Spider Web speaks to that crowd directly. It offers a hook big enough for a festival field and a lyric personal enough for a late-night drive. This is Alt Rock Pop with something on its mind, and that mix is rarer than the genre tag suggests.

A Forthcoming EP Puts Spider Web In A Bigger Picture

Captain Blistermint have framed Spider Web as the follow-up single from a forthcoming EP. That framing gives the track a second life as a signpost. On its own, it is a sharp snapshot of the band’s writing. As a preview, it hints at a longer run of songs that pair the same funky energy with grown-up subject matter. For a New Zealand act still building its reach, that throughline matters. On this evidence, the EP is worth watching for.

IndieRock.News’s curator team: “The clever move on Spider Web is how the funky, upbeat groove refuses to soften the goodbye at the centre of the lyric. Most bands would slow it down and reach for a ballad. Captain Blistermint keep the party going and let the sadness ride shotgun, and that friction is exactly what makes the hook stick.”

Keep up with Captain Blistermint across platforms. Dig through the catalogue on Bandcamp. Then follow the band on Instagram and Facebook, and subscribe to their YouTube channel for news on the forthcoming EP.


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Will Lisil

Director & Digital Creator at MW3.biz Ltd, United Kingdom.

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Tags: alt rock pop alt rock pop new music alternative rock auckland band captain blistermint forthcoming ep funky indie rock Independent Artists indie music news indie rock melodic indie new alt rock pop artist new music discovery new zealand indie new zealand music power pop spider web spider web single the killers similar artists the rolling stones similar artists

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Recent Posts

  • Who Needs Truth Anyway Finds No More Fridays in the Room with Three Estonian Producers
  • Holdover Holiday Turns It up on Allie Lie in Two and a Half Minutes
  • The Thermals Returned With an Album Hutch Harris Made Alone
  • Sarah Giles Turns It up on Don’t Whisper, A Chorus Built to Be Sung Back
  • EverFelt Turns It up on the Self-Titled EverFelt EP
  • The Strokes Waited Six Years and Came Back With Nine Songs
  • Anatomy of a Brief Romance Runs From First Glance to Eulogy
  • Descending Consciousness Puts Numa Echos and Red Zebra in the Same Milan Room
  • Light Years Apart Finds Unobliterated Between Berlin and Blade Runner
  • Maryann Connolly Cranks Who Whatever Louder, and Four Countries Answered


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